XTC Discography Www Kannada Antysex.com
Revision 5.83s (26 July 2025)

This discography copyright © 1988-2025 by John Relph.

Contents:

Summary
A concise list of everything ever released.
Recent Updates Www Kannada Antysex.com
A short list of recent updates.
Albums
Regular XTC album releases.
Singles and EPs
Regular XTC singles and EPs.
Collections, Retrospectives and More
Collections of album and non-album tracks.
Promotional Releases and Giveaways
Radio station and record store stuff that collectors love.
Interviews and Radio Shows
For radio broadcast only.
Unauthorized Releases
Bootlegs, pirates, and counterfeits.
The Dukes of Stratosphear
The psychedelic alter-egos.
Other Extracurricular and Solo Activity
Solo works and releases in disguise with diamonds.
Guest Appearances and Collaborations with Other Artists
From cameos to co-writing.
Compilations of Various Artists
XTC: one-hit wonders.
Rumoured and Future Releases
I can neither confirm nor deny.
The Fine Print
Copyright and key to abbreviations.

Credits:

This discography compiled, edited, and formatted by John Relph. Much information has come from the wonderful Wonderland XTC discography compiled by Shigemasa Fujimoto (Thanks!). Some information was also found in and/or verified by Brad Nelson's (Bremerton, Washington) XTC Discography.

I am indebted to the maintainers of these other discographies for additional information:

Dave Gregory (Mark Strijbos and Debie Edmonds)
The Big Dish (Simon Young)
Clark Datchler (John Berge)
Louis Philippe (Mr. Sunshine)
Dr. Demento (Jeff Morris)
Hüsker Dü (Paul Hilcoff)
Discogs (you and me)

Thanks go out to these additional contributors:

Sebastián Adúriz, Stephen Arthur, Klaus Bergmaier, Todd Bernhardt, Philippe Bihan, Fredrik Björklund, Allan Blackman, Patrick Bourcier, Barry Brooks, Jean-Christophe Brouchard, David Brown, Chris Browning, Stephen Bruun, Darryl W. Bullock, Justin Bur, Giancarlo Cairella, James Robert Campbell, Justin Campbell, Pedro Cardoso, Damon Z Cassell, Alberto M. Castagna, Jean-Philippe Cimetière, Chris Clark, William Alan Cohen, Britt Conley, Doug Coster, Al Crawford, Paul Culnane, Ian Dahlberg, Michael Dallin, Gary L Dare, David Datta, Adam Davies, Duane Day, Stefano De Astis, André de Koning, Simon Deane, Marcus Deininger, Tom Demi, Kevin Denley, Chris Dodge, Morgan Dodge, Chris Donnell, Charlie Dontsurf, François Drouin, Jon Drukman, Johan Ekdahl, Charles Eltham, Remco Engels, Stewart Evans, John C Falstaff, Mark Fisher, Peter Fitzpatrick, Martin Fopp, Dave Franson, Mitch Friedman, Martin Fuchs, A. J. Fuller, André Garneau, Greg Gillette, George Gimarc, Giovanni Giusti, David Glazener, Mark Glickman, Mike Godfrey, Marshall Gooch, Ben Gott, John Greaves, Robert Hawes, Jude Hayden, Scott Haefner, Reinhard zur Heiden, Phil Hetherington, Paul Hosken, Toby Howard, Bill Humphries, Johan Huysse, James Isaacs, Naoyuki Isogai, Joe Jarrett, Shane Johns, Owen Keenan, Tom Keekley, Howard Kramer, Augie Krater, Philip Kret, Jacqueline Kroft, Marcus Kuley, Mark LaForge, Kai Lassfolk, Matthew Last, Dom Lawson, Peter E. Lee, Steve Levenstein, Björn Levidow, Christer Liljegren, Thomas R Loden, Holger Löschner, Peter Luetjens, Joe Lynn, Delia M., J. D. Mack, Claudio Maggiora, Emmanuel Marin, Don Marks, Marc Matsumoto, Yoshi Matsumoto, Niels P. Mayer, Scott A. C. McIntyre, Gary Milliken, Derek Miner, Pål Kristian Molin, Martin Monkman, Bill Moxim, Rolf Muckel, Brad Nelson, Lazlo Nibble, Gary Nicholson, Pär Nilsson, Gez Norris, Todd Oberly, Jefferson Ogata, Marc Padovani, Barry Parris, Mike Paulsen, David A. Pearlman, Richard Pedretti-Allen, Joe Perez, Barbara Petersen, Dan Phipps, John J. Pinto, Joe Radespiel, Martin van Rappard, Robert R Reall, Melissa Reaves, Joachim Reinbold, Ola Rinta-Koski, Dougie Robb, Paul Pledge Rodgers, Michael Rose, Jon Rosenberger, Ira Rosenblatt, Shawn Rusaw, Mark Rushton, Egidio Sabbadini, Annie Sattler, Steve Schechter, Timothy M. Schreyer, Erich Sellheim, Steven L. Sheffield, Tetsuya Shimizu, Hisaaki Shintaku, Jim Siedliski, Chris Sine, Dean Skilton, Christopher Slye, Frédéric Solans, Ian C Stewart, Bill Stow, Ken Strayhorn Jr., Mark Strijbos, Jeffrey Thomas, Jon Thomas, Robert C Thurston, Patrick Trudel, Adam Tyner, T P Uschanov, Maurits Verhoeff, Tim "Zastai" Van Holder, Jonas Wårstad, Duncan Watson, Jeff White, Bill Wikstrom, Wes Wilson, Kim E. Williams, David Wood, Paulo X, David Yazbek, Brett Young, Takada Yuichi, Jim Zittel.

Note: This document is available as both a multi-part document (more appropriate for web surfing), and a single document (suitable for printing). A plain text version is also available. A concise XTC discography (more of an overview) is also available. Recent changes to this document are indicated by type, are listed in the Recent Updates section of the Summary, are available in unified diff format, and are also available as an RSS feed.


The Fine Print:

Www Kannada Antysex.com -

As Karnataka moves deeper into the digital age, where dating apps are failures and arranged marriages are still the norm, these storylines offer a cognitive refuge. They say: You do not need to touch. You only need to write. Whether this is a temporary fad or a permanent shift in the Dravidian romantic psyche remains to be seen.

This article delves deep into the rise of "Antysex" philosophy within modern Kannada romance, examining how content creators, writers, and audiences are redefining intimacy in the age of digital voyeurism. To understand the narrative, we must first dissect the terminology. "Antysex" (from the Greek anti- meaning against, and sexus meaning biological distinction) in this context is not a call for celibacy or prudishness. Within the framework of the fictional Antysex.com , it represents a literary and relational aesthetic known as Sambhoga Vyatireka (Carnal Opposition). Www Kannada Antysex.com

Kannada Antysex.com takes this inherent cultural conservatism and weaponizes it. In an era of viral MMS clips and OnlyFans, the Kannada audience finds rebellion in looking away . As Karnataka moves deeper into the digital age,

At first glance, the term seems jarring—a fusion of Dravidian linguistic pride with a hypothetical digital space ("Antysex.com") that suggests a rejection of physical intimacy. What does it mean to build a romance devoid of the sexual? And why is this specific syntax trending among Kannada netizens? Whether this is a temporary fad or a

In the world of , the website serves as a metaphorical "hub" where writers publish serialized stories where love exists outside the bedroom. The characters communicate through letters, coded glances across the Cauvery river, or shared silences in a Bengaluru traffic jam. The "anty" prefix signals a war against the "mandatory sex scene" that has plagued modern OTT Kannada series. Part 2: The Anatomy of an Antysex Relationship What distinguishes a standard Kannada love story from an Antysex.com relationship ? 1. The "Mooka Prarthane" (Silent Prayer) Trope In Antysex storylines, dialogue is minimal. Where a mainstream director might show a passionate kiss, the Antysex writer describes the eight hours of waiting at the Majestic bus stand. The romantic climax occurs not when two people touch, but when one protagonist notices the other’s Raksha Bandhan thread fraying—and says nothing. 2. The Digital Substitute Since physicality is off the table, Antysex.com storylines utilize technology in reverse. Characters fall in love via corrupted WhatsApp messages. They share Spotify playlists of B. R. Deodhar’s classical music. They write poetry using the Kannada keyboard's predictive text. The "consummation" of the relationship is a shared login credential for a dead streaming service. 3. The "Ragi Mudde" Realism Unlike Bollywood’s sugar-coated affairs, Kannada Antysex relationships are grounded in economic anxiety. The hero is a gig worker; the heroine, a MSc botany graduate with no job offers. They cannot afford the privacy required for a sexual relationship (the "small room problem" in Bengaluru PG life). Thus, their romance is forced onto the roof, into the library, or inside the Indira Canteen. Antysex.com normalizes poverty-induced celibacy as a romantic virtue. Part 3: Iconic Romantic Storylines (Fictional Anthology) If we were to curate a library of Kannada Antysex.com relationships and romantic storylines , the following archetypes would dominate the top charts: Storyline 1: "Naanu Driver, Nee Conductor" (I am the Driver, You are the Conductor) Set on the notorious 500-D BMTC bus route from Banashankari to Hebbal. The driver (Ravi) and conductor (Lakshmi) are never allowed to be alone. Their romance occurs through the change —the cold touch of a five-rupee coin passing from her hand to his. The climax of the 45-part serial occurs when the bus breaks down on the Silver Bridge. Ravi fixes the engine while Lakshmi directs traffic. At night, they do not touch. They simply check the tire pressure together. Critics call it "erotic minimalism." Storyline 2: "Mysore Pak and Other Lies" A woman allergic to sugar falls in love with a sweet shop owner. Because she cannot eat his product, he learns to carve her name into ghee using a toothpick. The relationship lasts 300 pages. The only "intimate" scene involves him wiping sweat from his brow with a cloth she knitted. Antysex.com users rated it 4.8/5 for "torturous restraint." Storyline 3: "The Kluskap Omen" (A Coorgi Ghost Story) A political satire disguised as romance. A male forest officer and a female tribal activist fall in love while protesting a dam project. They are separated by barbed wire. They communicate by writing slogans on each other’s backs with a wet finger. The story ends with them building a school, never marrying, and dying of old age in separate rooms. The tagline: "Premakke Damaaku Beda" (No explosives for love). Part 4: Why Kannada? The Cultural Resonance You might ask: Why is this anti-sexual, hyper-romantic narrative specifically "Kannada"?


Www Kannada Antysex.com

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Revision 5.83s (26 July 2025)