Rie Tachikawa Interview Full ◉
American Minimalism is about geometry and the object’s relationship to the viewer’s body. It is mathematical. Japanese "Ma" is about the interval . It is the silence between two claps. The empty space inside a bamboo joint. Minimalism says: Look at this thing. Ma says: Look at what is not there. In my 2021 piece, Wind Score , I hung 1,000 sheets of rice paper from the ceiling. No glue. No weights. The artwork was not the paper. The artwork was the moment the door opened, the air shifted, and the papers breathed. That breath—that interval—is Ma.
(Laughs) I know. I am sorry. Write it all down. But tell your readers: After you read this, close the laptop. Go sit in a room alone for ten minutes. Listen to the building sigh. That is my real interview. Part 5: Future Work & The "Un-Museum" I: What is next? Your website (which is just a black page with an email address) hints at a project called The Un-Museum . rie tachikawa interview full
(Smiles) Art is the discipline of lying beautifully. I lie about decay. I lie about emptiness. But the feeling you get when you stand in my room? That feeling is the truth. Part 4: The Full Archive – Why No Digital Copies? I: This is for fans desperately searching for a "Rie Tachikawa interview full" video or PDF—you famously refuse to archive your work digitally. Why? American Minimalism is about geometry and the object’s
Because they recognized it. That cup—it had a hairline crack. The tape was yellowed, brittle. It looked like someone had tried to fix it in a hurry and then simply... left it. When you walk into a pristine white cube gallery, you are an observer. When you walk into a room where a teacup is floating above you, you become a trespasser. You ask: Who lived here? Why did they leave this? That question is the artwork. Not the cup. It is the silence between two claps
Your 2018 piece, Memorandum of Oblivion , involved taping a single, broken teacup to the ceiling of a room in an abandoned apartment. People waited in line for four hours to see it. Why?
You vacuum away the real dust only to recreate it on the gallery wall?
