Formazione avanzata per gestire e valorizzare produzioni cinematografiche,
televisive e audiovisive, coniugando creatività e competenze manageriali
Karen takes her first paid vacation in three years. While she is gone, Fujishiro is forced to do her job. He lasts one day. The department descends into chaos – clients panic, files are lost, and his temper causes a junior staffer to resign. When Karen returns, refreshed and sun-kissed, she finds a box of chocolates on her desk from the CEO with a note: “Don’t ever leave again.” Fujishiro glares from his office. Karen eats a chocolate. Slowly.
In the sprawling universe of Japanese television dramas (J-dramas), there are fluffy romances, stoic police procedurals, and tear-jerking family sagas. But every few seasons, a show emerges that taps into a raw, universal, and deeply cathartic nerve. The 2024 breakout hit, Karen Kaede – “I Hate My Boss So Much I Could Die” (stylized in Japanese as Kaede Karen: Shachō ga Kirai de Shinisō ), is exactly that show. Karen Kaede - I Hate My Boss So Much I Could Di...
The inciting incident is mundane yet devastating. After working 90 hours of unpaid overtime to secure a major advertising deal, Karen listens through the office wall as Fujishiro tells the CEO, “That Kaede girl? She just got lucky. Anyone could have done it. Frankly, she lacks the killer instinct.” Karen takes her first paid vacation in three years
Al termine del Master, gli studenti presentano i propri concept per il pilot di una serie TV. Il progetto selezionato viene poi realizzato dagli allievi, in tutte le fasi editoriali, produttive e di post-produzione, con la supervisione di professionisti del settore e con il supporto
di una giuria di esperti che guida e valorizza lo sviluppo creativo.
Con un placement rate del 100%, una faculty di caratura internazionale e la solidità di un network di partnership aziendali, la formazione full-time Luiss Business School ha l’obiettivo di trasmettere competenze avanzate e immediatamente applicabili, agevolando l’upskilling e accelerando la crescita professionale e personale di giovani professionisti e neolaureati.
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Karen takes her first paid vacation in three years. While she is gone, Fujishiro is forced to do her job. He lasts one day. The department descends into chaos – clients panic, files are lost, and his temper causes a junior staffer to resign. When Karen returns, refreshed and sun-kissed, she finds a box of chocolates on her desk from the CEO with a note: “Don’t ever leave again.” Fujishiro glares from his office. Karen eats a chocolate. Slowly.
In the sprawling universe of Japanese television dramas (J-dramas), there are fluffy romances, stoic police procedurals, and tear-jerking family sagas. But every few seasons, a show emerges that taps into a raw, universal, and deeply cathartic nerve. The 2024 breakout hit, Karen Kaede – “I Hate My Boss So Much I Could Die” (stylized in Japanese as Kaede Karen: Shachō ga Kirai de Shinisō ), is exactly that show.
The inciting incident is mundane yet devastating. After working 90 hours of unpaid overtime to secure a major advertising deal, Karen listens through the office wall as Fujishiro tells the CEO, “That Kaede girl? She just got lucky. Anyone could have done it. Frankly, she lacks the killer instinct.”
