Blogspot | Beatles Discography

“Back in the U.S.S.R.” (Beach Boys + Chuck Berry + Cold War parody) “Dear Prudence” (John’s fingerpicking tribute to Mia Farrow’s sister) “Glass Onion” (John referencing Beatles songs mockingly) “Ob-La-Di, Ob-La-Da” (Paul’s regpop – hated by John) “While My Guitar Gently Weeps” (George with Eric Clapton uncredited) “Happiness Is a Warm Gun” (John’s multi-part sexual/political/gun metaphor)

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The Beatles made 13 studio albums in less than a decade. And over 50 years later, we’re still here — on Blogspot, YouTube, Reddit, or in record shops — trying to figure out how four lads from Liverpool changed music forever. beatles discography blogspot

“Come Together” (John’s Chuck Berry/”You Can’t Catch Me” plagiarism lawsuit bait) “Something” (George’s best – Frank Sinatra called it the greatest love song of the previous 50 years) “Maxwell’s Silver Hammer” (Paul’s vaudeville murder song – everyone else hated recording it) “Oh! Darling” (Paul’s Little Richard impression) “Octopus’s Garden” (Ringo co-write with George) “I Want You (She’s So Heavy)” (blues jam + white noise cut-off)

Don’t stream the 2018 remix? Do. Also, original mono pressing of “Helter Skelter” is rawer. 11. Yellow Submarine (1969) The soundtrack album. Side A: the film’s orchestral score by George Martin (skip if you want Beatles songs). Side B: four new Beatles tracks. “Back in the U

Play Rubber Soul and Revolver back to back. Hear a band rewire pop music in 10 months. 7. Revolver (1966) The studio becomes the instrument. No touring. Pure experimentation. Tape loops, backwards guitars, sitars, automatic double tracking (ADT invented by EMI engineer Ken Townsend).

Crank “Twist and Shout” and hear the rasp in John’s throat. 2. With the Beatles (1963) Recording: July–October 1963 Notable: The first Beatles album with a moody, black-and-white cover that set a new visual standard. Pepper . Don’t @ me. 8.

Revolver > Sgt. Pepper . Don’t @ me. 8. Sgt. Pepper’s Lonely Hearts Club Band (1967) The one that broke the album concept. Not really a concept album (only first two and last two tracks reprise the theme), but a tour de force of studio trickery.