Kristine DeBell, the film’s star, gave interviews later in life (including a notable one in 2016) where she expressed no shame about the film. She viewed it as a “giggle” and a product of its time. She went on to have a long, respectable career in television (including a role in The Love Boat and voice work for Family Guy ). Her lack of regret is often cited by defenders of the film. But others note the lack of on-set intimacy coordinators, the prevalence of drug use during production, and the simple fact that for decades, DeBell’s face was synonymous with a genre that stigmatizes its performers.
Furthermore, the film’s depiction of Alice as a perpetually smiling, compliant young woman—never traumatized, always game—feels discomfiting to a 2021 audience raised on discussions of consent. She is not a victim; she is a tourist. But the political subtext of a teenage figure (played by an adult, but coded as a child) exploring a world of adult pleasure is fraught in a way it wasn’t in 1976. One must also address the elephant (or the Jabberwocky) in the room: The Lewis Carroll estate (which controls the author’s likeness and certain adaptations) has always loathed this film. While Alice’s Adventures in Wonderland is in the public domain in most of the world, the estate has repeatedly tried to block screenings and home video releases, arguing that the X-rated version tarnishes the author’s legacy. Charles Dodgson (Carroll’s real name) was a complicated Victorian figure whose relationships with young girls have been debated for decades. The 1976 film, in its crass way, forces that conversation into the open: Why is a story about a little girl falling into a fantasy world so easily twisted into pornography? Legacy and Influence Despite—or because of—its infamy, the film influenced a surprising array of artists. Terry Gilliam has acknowledged seeing a bootleg copy of it before designing his Brazil (1985) dream sequences. Rock band The Residents’ cult album The Commercial Album (1980) features a track called “The Coming of the Crow” that samples dialogue from the film. Even modern horror director Ari Aster (Hereditary, Midsommar) has joked in interviews that the film’s blend of saccharine music and graphic content was a “formative trauma.” alice in wonderland an x rated musical fantasy 1976 2021
And whether you find that liberating or horrifying, you cannot help but admire the sheer, unhinged chutzpah of it all. Curiouser and curiouser, indeed. Final Note: The film remains difficult to find uncut in 2021 due to copyright disputes and content policies on major streaming platforms. However, specialty distributors and film festivals occasionally screen restored 35mm prints. Viewer discretion is strongly advised. Kristine DeBell, the film’s star, gave interviews later
The result was a hardcore musical. Yes, a musical. Songs like “The Royal Treatment” and “Wonderland” are performed with the earnestness of a Broadway flop, complete with choreography that often dissolves into unsimulated sex. This dissonance is the film’s primary source of power. One moment, Alice is singing about curiosity; the next, she is learning the facts of life from a very literal Humpty Dumpty. The film stars Kristine DeBell as Alice, a fresh-faced 22-year-old who had previously done modeling for Penthouse . DeBell is crucial to the film’s strange innocence. Unlike the jaded, hard-bodied performers of later decades, DeBell plays Alice with wide-eyed sincerity. She giggles. She looks genuinely confused. For many critics in 2021 re-watching the film, it is DeBell’s performance that keeps the film from feeling purely predatory. Her lack of regret is often cited by defenders of the film
In an age of algorithm-driven content and sanitized blockbusters, this oddball 1976 artifact reminds us of a time when filmmakers threw everything at the screen—sex, songs, bad puns, and worse wigs—just to see what would stick. For better or worse, Alice went down that rabbit hole, and she came back singing a dirty song.